One of my least favorite things to do is to photograph my work. I’ve discovered smaller pieces are much more manageable but then I have some pieces that are just larger because they want to be the size they become.
Sunday Dresses started out as a few pineapple blocks in a Quilt Festival workshop with Gyleen Fitzgerald. She is a real dynamo and the class was fun, her tool very helpful, and it didn’t hurt that I was there with a rowdy group of Holus Bolus. I came home with four or five pineapple blocks with three rounds each. I continued on with some black and white prints–all from my mother’s scrapbasket of leftovers from her Sunday Dresses. There were some everyday blouses and aprons and a few shirts for my brothers and so I sliced them all up with my handy dandy Accuquilt Studio cutter.
I set those blocks together and then decided to finish it off with several rounds of just straight strips set together end to end in a random pattern–just like my grandmother did with a special quilt she made just for me. That quilt was batted with a wool blanket–she lived through the Depression and World War II and was thrifty by necessity.
This quilt was quilted on my Gammill using a star motif in the centers of those pineapple blocks.
Every time I look at it I see my mother’s wardrobe made of plywood sitting in the corner of her bedroom, filled with those white-black print dresses, the bottom with a box of fabric scraps all carefully rolled up and pinned together either with a straight pin or tied with a piece of selvedge. That wardrobe was still there when we began remodeling the farmhouse–the dresses long gone but still so visible in my mind’s eye.
This is a small part of the completed piece. I tried to use her quilting stencils but quickly learned that hand quilting stencils do not work well with longarm machine quilting or probably any sort of machine quilting.